When the Renaissance finally laid the cornerstones of our modern Western civilization, it found its impetus primarily not from the great city of Rome with all its history, centers of learning, and advantages, but from the northern Italian cities of Florence, Padua, and Venice. Rome still contained a lot of original Roman blood, but it was no longer the Rome of the Romans, it was now an international city, a melting pot of races from around the known world, including even some Germanic blood, Egyptians, Semites, and others. The Renaissance found its driving force where the original Roman genes still dominated. Even today, the Northern provinces are the most economically sound and robust parts of all Italy. By itself the per capita GNP of northern Italy is equal to that of the strongest economies in Europe.

One can see the racial expression of the Renaissance in Michaelangelo's masterful fresco of an Aryan depiction of God and Adam on the ceiling of the Sistine Chapel. Falsifying history has become a full-time occupation for many in the educational and cultural establishment of America. Not only has Cleopatra become Black, it appears that the great Carthaginian general Hannibal has begun to take on a decidedly Negro appearance. Budweiser Beer did a poster and "educational" series called "The Great Kings of Africa" in which it depicted Hannibal as resembling Black boxing promoter Don King.

Of course, Hannibal was White. Contemporary sources described him in terms that leave no doubt that he was as White as the ancient Carthaginian people he led. What's more, his death mask shows the thin nose and lips and high forehead of the Caucasian. The mask bears no Negro features. The Black adoption of famous Europeans as their own does not end with Cleopatra or Hannibal. They have even gone so far as to ludicrously allege Ludwig van Beethoven was Black, and for that matter anyone with curly hair and swarthy is claimed by afro-centrists desperate for validation.