In the ’70s Dr. William L. Pierce, chairman of the National Alliance and editor of National Vanguard magazine, along with his staff, researched the question and documented the Jewish dominance in his essay "Who Rules America?"¹

What I discovered was that the worst nightmare of Paddy Chayefsky and his Network character, Howard Beale, has been realized. A small but cohesive minority, with a 3,000-year loyalty to their own people and a fanatical dedication to their newly formed nation, dominates America’s media. But it is not the Arabs who have this power; nor is it the Irish, Germans, French, English, Russians, Swedes, Danes, or Italians. It’s not Muslims, Christians, Mormons, or Catholics. Ironically, it is the group made up of the Paddy Chayefskys of the world. Chayefsky — an enthusiastic supporter of Jewish causes and the state of Israel — cleverly attempts to influence viewers against Arabs by fictionally accusing them of attempting the same thing that Jews have already accomplished. The rest of the Network staff included director Sidney Lumet, producer Howard Gottfried, and editor Alan Heim. The same tribe that financed, produced, wrote and distributed the film Network, dominates the American media, and truly the media of the entire Western world.

Jewish media power is so extensive that one can scarcely exaggerate it. It is not simply a question of their power being disproportionate to their percentage of population — their power is breathtaking.

If you live in a major city, the daily newspaper you read will more than likely be Jewish-owned or -edited. So will the national newsmagazine you buy at the news counter. More than likely, the national cable or regular TV network you watch will be Jewish-owned, and if not, Jews will be preponderant in the executive and decision-making departments. The movie you see in the theater or watch on television will very likely have been produced, directed, or written by Jews — and often all three. The publishers of the hardbacks or paperbacks you read, even the record companies that produce the music you buy, will probably be Jewish-owned, and if not, they will very likely have Jews in key executive positions. Bookstores and libraries often select their new book purchases based on reviews by Jewish critics and publications such as The New York Times Book Review, another part of the Jewish-run NY Times.

It is certainly true that many people in media are not Jews. Nor do I allege that every Jew in media is part of some fantastic and intricate conspiracy or that every Jew is ardently Zionist. But the overwhelming domination and thrust of American media is Jewish, and no group is more ethnocentric and more organized for their perceived interests than are Jews. With these facts in mind, can any reasonable person believe that Jews present news and entertainment without a slant for their own purposes in what Gabler calls "An Empire of their Own"?

I grew up reading the New Orleans Times-Picayune, and from third grade on, I would read it every morning with my father. By the time breakfast ended, Father had decorated it with toast crumbs and coffee stains, and I had garnished it with oatmeal and milk. My father would take the news section first, and I would take the sports and the comics pages, and then it would be my turn to get into the headlines while he read the other parts of the paper. Up until the late ’50s, the Times-Picayune was truly a Southern newspaper. It reflected the values, standards, political viewpoints, and heritage of the South. We considered the paper our lifeblood of information about the simple goings-on around town and about the major events in the world at large. It was our paper — and not only because it was printed in our city; it represented something of our thinking, our culture, and our values.