A 1998 made-for-television film documentary aired on the Arts & Entertainment cable network boasted of the preeminent Jewish role in media and the shaping of our society to their purposes. It was made by Elliot Halpern & Simcha Jacobvici Productions, and written and directed by Simcha Jacobvici. The documentary tells how Jews overcame the Gentile filmmakers such as Thomas Edison and D.W. Griffith, and gradually replaced their traditional American themes. Movies such as Griffith’s Birth of a Nation which honored our White heritage, became replaced with paeans to the immigrant and multiracialism. They interview Jewish author Neil Gabler, who frankly tells how they replaced the "real" America.

     They created their own America, an America which is not the real America…But ultimately this shadow America becomes so popular and so widely disseminated that its images and its values come to devour the real America. And so the grand irony of all of Hollywood — is that Americans come to define themselves by the shadow of America that was created by the Eastern European Jewish immigrants who weren’t permitted in the precincts of the real America.

The narrator goes on to say that the Hollywood Jews became almost godlike in their power and set up a system to raise their prestige in the eyes of Americans.

     Where there were new Gods there must be new idols. So, the studio heads began a movie guild with the lofty title of The Academy of Motion Picture Arts and Sciences. It was Mayer’s brilliant idea to create the Oscars where the movie moguls’ guild honor themselves by giving each other awards. In this way, they went from being a group of immigrant Jews to award-winning American producers.

Jewish power is such that they can make craven even the greatest of Hollywood icons. During an appearance on the Larry King television show, actor Marlon Brando said that "Hollywood is run by Jews. It is owned by Jews." Brando contended that Jews are always depicted as humorous, kind, loving, and generous while they slander every other racial group, "but are ever so careful to ensure that there is never any negative image of the Kike."¹

Jewish groups came down hard on Brando, stating in their press releases that they would see to it that he "would never work again." No one in the Jewish press seemed to notice that the threat simply validated Brando’s observation of their unchallenged media power. Brando was so intimidated that he had to arrange an audience with Wiesenthal himself. Brando cried and got on his knees and kissed Wiesenthal’s hands, begging for forgiveness for his truth-telling. Wiesenthal absolved him for his sin, and Brando has said nothing but positive things about Jews ever since.

There can be no renewal for our people until that kind of intimidating power is broken. No regeneration of our society can occur until our people again have true freedom of speech and press.

Once I discovered the Jewish power over the American media, I resolved never to surrender my freedom of speech in deference to it, no matter what it would cost me. I became determined to oppose the media masters who seek to destroy our way of life and our very life form. I am confident that in time my kinsmen will likewise rise up in defiance rather than kneeling in dishonor — like Marlon Brando — to our would be masters.