The use of music as an aid to programming has been consistently commented
on by certain researchers.
Music provides access to the deeper, subconscious, emotional, nonlinear,
nonlogical portions of the psyche. As shown so clearly by "psychedelic"
pioneers Tim Leary and Richard Alpert in their government-sponsored
LSD research (some which occurred not only at and through Harvard
University but ALSO at Montauk AFS)--"set and setting" are crucial in
determining the impact and outcome of an LSD trip... and a mind
programming operation. Music, as an especially emotional art form, could
be utilized very effectively (albeit diabolically!) to assist in
amplifying, intensifying and boosting the impact of certain programming
operations and experiences.
In addition, certain triggers can be activated by the music previously
used during programming.
There is information put forward indicating that certain music stars
are being trained/programmed/groomed/mind controlled, so that in their
roles as mass entertainers they are fulfilling a certain function in
the general mind controlled new world order of things, and that there
are very likely entrainment frequencies and subliminal commands and such
embedded within the sound tracks: certainly in the case of country music
the overall tone of the lyrics of many country songs is undeniably "down"
and puts forth an ultimately depressing view of things. So many of these
songs are about serious emotional distress, failed relationships and
Technically and even artistically, the level of musicianship,
proficiency, etc. could be quite high and the music could "sound good"
but there could be specific signals/frequencies mixed in later, perhaps
unbeknownst to the performing artists, which reinforce an element of the
lyric content or even communicate some other "message". Even subliminal
vocal tracks could be used in this way. Much "heavy metal" and rap music
overtly exhibits extraordinary levels of negativity, hatred and
descriptions of violence in their lyrics, the destructive impact of
which could all easily be supplemented with a hefty dose of subliminal
images, commands and the like.
My thought is this. One concept which could be getting inserted into
country and other pop music by these and various other methods might be
this: to abuse (physically, sexually, emotionally) or neglect
children--resulting in them ending up under the control the government;
or to directly "turn them over to the government" in any number of other
ways, and/or assist the government in gaining access to and control over
children so that the government can (have means and opportunity to)
subject them to psychosexually abusive mind control programming, so they
can serve certain purposes as agents of the government. If kids are
abused at home, and/or families are in fact being subliminally
encouraged in many ways through manipulation of mass media to literally
disintegrate, then more and more kids have been and will be ending up
either in some sort of government custody or on the streets, where they
become fair game for the picking; particularly by organized crime, which
as I noted in my first report, is strongly implicated in the procurement
of young people by any number of means, for covert government agencies
to utilize in their unconscionable, inhuman and unconstitutional operations.
This is the sort of social engineering that is apparently occurring:
attempting to mold and shape the collective consciousness and general
social reality through covert (and evil) manipulation of mass
communication such as the press and the news media, television,
entertainment. movies, music, and so on. Additionally there are the
technologies developed in the Montauk Project by which our very thoughts
and even psychic-level experiences can be interfered with, tweaked,
twisted and controlled.
I received an email from a Mr. Hart on the subject of music as utilized
in mind control operations, which read in part as follows:
"With the advances in technology since Dick Sutphen's book The Battle
For Your Mind first came out, is it still impossible to reduce various
frequencies to detect the subliminals when they are psycho-acoustically
modified and synthesized so that they are projected in the same chord
and frequency as the music?"
Though I'm unfamiliar with the book mentioned above, the topic is
certainly intriguing. Here's my response to the question, based upon my
admittedly limited familiarity with the nuts and bolts of such operations.
Certain people connected to the Montauk Project have made repeated
references to the way popular entertainment--in particular music--has
been and is being utilized as an aid to EM/RF mind control programming,
either directed towards a population as a whole or towards smaller
groups or individuals.
Montauk Project researcher Preston Nichols has relayed information about
some of the more esoteric technologies which utilize music as a medium
He referred to what he calls a "quantum" waveform of some kind which is
not in either the audio or electromagnetic wave spectrum, and which can
transmit extensive amounts of information. This quantum information
signal apparently interacts with certain levels of consciousness and
awareness: there is no commonly available technology at this time with
which the information can be decoded.
One point made by Nichols which I, as a musician, found intriguing is
that the equipment used in implementing this quantum information wave is
highly dependent upon vacuum tubes, as much of the Montauk Project
technology has been in general, although transistors are utilized to
some extent. Interesting that many electric musicians, especially
guitarists, have adamantly withstood the tidal wave of solid state
technology when it comes to instrument amplifiers: as many rock fans
know, most electric guitarists, bassists, miked vocalists and other
musicians swear by the vast superiority of the tonal qualities of vacuum
tube amps and the ability of such equipment to convey a far greater
range of subtle nuances of feeling that transistor amps.
Nichols indicated to me that a substantial amount of popular music
during the 1960s, 70s, 80s and of course now has been utilized in
service of a covert (of course!) MK agenda using various methods and
technologies, and as I've pointed out, similar charges have been made by
a number of other people (Nichols worked as a sound recording engineer
before going to work at Brookhaven Labs around 1970).
More detailed and technical information was conveyed to me about this
entire matter but to be honest the technical part is a bit over my head.
I am a bit weak in radio electronics as well as quantum physics,
relativity and the unified field theory.
I have been extremely intrigued by the statements made by Nichols and
others about music being utilized for mind control purposes but remain
somewhat unclear about how this is actually accomplished technically.
Then of course questions such as those posed by Mr. Hart above have
crossed my mind as well--that is, how can the subliminal psychoacoustic
frequencies, quantum information waves and other embedded data be
isolated, deciphered, etc.