The use of music as an aid to programming has been consistently commented

on by certain researchers.

Music provides access to the deeper, subconscious, emotional, nonlinear,

nonlogical portions of the psyche. As shown so clearly by "psychedelic"

pioneers Tim Leary and Richard Alpert in their government-sponsored

LSD research (some which occurred not only at and through Harvard

University but ALSO at Montauk AFS)--"set and setting" are crucial in

determining the impact and outcome of an LSD trip... and a mind

programming operation. Music, as an especially emotional art form, could

be utilized very effectively (albeit diabolically!) to assist in

amplifying, intensifying and boosting the impact of certain programming

operations and experiences.

In addition, certain triggers can be activated by the music previously

used during programming.

There is information put forward indicating that certain music stars

are being trained/programmed/groomed/mind controlled, so that in their

roles as mass entertainers they are fulfilling a certain function in

the general mind controlled new world order of things, and that there

are very likely entrainment frequencies and subliminal commands and such

embedded within the sound tracks: certainly in the case of country music

the overall tone of the lyrics of many country songs is undeniably "down"

and puts forth an ultimately depressing view of things. So many of these

songs are about serious emotional distress, failed relationships and

similar topics.

Technically and even artistically, the level of musicianship,

proficiency, etc. could be quite high and the music could "sound good"

but there could be specific signals/frequencies mixed in later, perhaps

unbeknownst to the performing artists, which reinforce an element of the

lyric content or even communicate some other "message". Even subliminal

vocal tracks could be used in this way. Much "heavy metal" and rap music

overtly exhibits extraordinary levels of negativity, hatred and

descriptions of violence in their lyrics, the destructive impact of

which could all easily be supplemented with a hefty dose of subliminal

images, commands and the like.

My thought is this. One concept which could be getting inserted into

country and other pop music by these and various other methods might be

this: to abuse (physically, sexually, emotionally) or neglect

children--resulting in them ending up under the control the government;

or to directly "turn them over to the government" in any number of other

ways, and/or assist the government in gaining access to and control over

children so that the government can (have means and opportunity to)

subject them to psychosexually abusive mind control programming, so they

can serve certain purposes as agents of the government. If kids are

abused at home, and/or families are in fact being subliminally

encouraged in many ways through manipulation of mass media to literally

disintegrate, then more and more kids have been and will be ending up

either in some sort of government custody or on the streets, where they

become fair game for the picking; particularly by organized crime, which

as I noted in my first report, is strongly implicated in the procurement

of young people by any number of means, for covert government agencies

to utilize in their unconscionable, inhuman and unconstitutional operations.

This is the sort of social engineering that is apparently occurring:

attempting to mold and shape the collective consciousness and general

social reality through covert (and evil) manipulation of mass

communication such as the press and the news media, television,

entertainment. movies, music, and so on. Additionally there are the

technologies developed in the Montauk Project by which our very thoughts

and even psychic-level experiences can be interfered with, tweaked,

twisted and controlled.

I received an email from a Mr. Hart on the subject of music as utilized

in mind control operations, which read in part as follows:

"With the advances in technology since Dick Sutphen's book The Battle

For Your Mind first came out, is it still impossible to reduce various

frequencies to detect the subliminals when they are psycho-acoustically

modified and synthesized so that they are projected in the same chord

and frequency as the music?"

Though I'm unfamiliar with the book mentioned above, the topic is

certainly intriguing. Here's my response to the question, based upon my

admittedly limited familiarity with the nuts and bolts of such operations.

Certain people connected to the Montauk Project have made repeated

references to the way popular entertainment--in particular music--has

been and is being utilized as an aid to EM/RF mind control programming,

either directed towards a population as a whole or towards smaller

groups or individuals.

Montauk Project researcher Preston Nichols has relayed information about

some of the more esoteric technologies which utilize music as a medium

for dissemination.

He referred to what he calls a "quantum" waveform of some kind which is

not in either the audio or electromagnetic wave spectrum, and which can

transmit extensive amounts of information. This quantum information

signal apparently interacts with certain levels of consciousness and

awareness: there is no commonly available technology at this time with

which the information can be decoded.

One point made by Nichols which I, as a musician, found intriguing is

that the equipment used in implementing this quantum information wave is

highly dependent upon vacuum tubes, as much of the Montauk Project

technology has been in general, although transistors are utilized to

some extent. Interesting that many electric musicians, especially

guitarists, have adamantly withstood the tidal wave of solid state

technology when it comes to instrument amplifiers: as many rock fans

know, most electric guitarists, bassists, miked vocalists and other

musicians swear by the vast superiority of the tonal qualities of vacuum

tube amps and the ability of such equipment to convey a far greater

range of subtle nuances of feeling that transistor amps.

Nichols indicated to me that a substantial amount of popular music

during the 1960s, 70s, 80s and of course now has been utilized in

service of a covert (of course!) MK agenda using various methods and

technologies, and as I've pointed out, similar charges have been made by

a number of other people (Nichols worked as a sound recording engineer

before going to work at Brookhaven Labs around 1970).

More detailed and technical information was conveyed to me about this

entire matter but to be honest the technical part is a bit over my head.

I am a bit weak in radio electronics as well as quantum physics,

relativity and the unified field theory.

I have been extremely intrigued by the statements made by Nichols and

others about music being utilized for mind control purposes but remain

somewhat unclear about how this is actually accomplished technically.

Then of course questions such as those posed by Mr. Hart above have

crossed my mind as well--that is, how can the subliminal psychoacoustic

frequencies, quantum information waves and other embedded data be

isolated, deciphered, etc.