To: sarfatti@ix.netcom.com (Jack Sarfatti)
Subject: Re: I know this is strange, but....
In-Reply-To: Your message of Wed, 28 Jun 1995 11:33:37 -0700.
<199506281833.LAA03093@ix2.ix.netcom.com>
Date: Wed, 28 Jun 95 14:51:10 EDT
sarfatti@ix.netcom.com (Jack Sarfatti) writes: > tell me more
> The dreams all involve some kind of large building, something like one
of the VAB monsters that Saturn V's were built in, but much more complicated --
lots of "drawbridges" ? that bridge internal gaps in the building and "telephone
poles" ? that run the length -- at least, they look something like creosote
wooden posts. There're a lot of metal panels all over (sortof like the crufty
ships from Star Wars).
I'm always in the same area -- a large bay, reached by a huge, frighteningly
complex elevator -- I get the _impression_ that others are coming and going
around me, very infrequently, but I can never seem to turn around fast enough to
catch more than a blurred image.
In one corner of the bay is a large viewscreen with a console, looks very
outdated. The viewscreen flashes through a number of blueprint-type images,
under control of my fingers. The only intelligible writing on any
of this is on a long, tubelike structure (much like a TNG nacelle, but no fancy
terminators) -- and it's the name "Sarfatti" -- hence the websearch.
With the exception of these, I've never remembered any dreams. Oddly enough,
I could probably draw every image I've seen, including something that looks like
some kind of dual-particle-accelerator that projects two streams of particles
(?) onto a oddly-shaped matrix-like element, from which a near-infinite number
of "power-couplings" ? fan out. I'm using generic TNG terminology because I'm
not sure what to call these things. I have the Next Generation Technical Manual
in my entertainment bookshelf, and what I see looks nothing like the MARA,
although that's the closest thing I've seen to this particular item.
I'm a technical writer and EE who, after struggling through engineering
school, discovered that I have a facility for languages, concepts and art
instead of math (i.e., using wrong side of brain for 25 years). I enjoy flights
of fancy, but I've never gone through anything like this. You probably think I'm
nuts. I decided to do the websearch, hoping that the name would come up with
something useful to control these dreams -- I always wake up incredibly tired
after one of these sessions.
Sorry if all this seems outlandish. Hope I'm not boring you -- is any of this
of any interest, or should I just quit eating spicy foods late at night? Bill
Bill Wear e-mail: bill@sware.com
SecureWare, Inc. voice: 404-315-6296 X 143
2957 Clairmont, Ste 200 fax: 404-315-0293
Atlanta, GA 30329-1647 hours: 8:30 - 5:30 EDST
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From: Bill Wear
X-Mailer: SecureMail [2.0 beta] To: sarfatti@ix.netcom.com (Jack Sarfatti)
Subject: Re: I know this is strange, but....
In-Reply-To: Your message of Wed, 28 Jun 1995 14:53:29 -0700.
<199506282153.OAA29923@ix4.ix.netcom.com>
Date: Thu, 29 Jun 95 11:04:22 EDT
sarfatti@ix.netcom.com (Jack Sarfatti) writes:
> Have you ever seen "Sarfatti" before your dream?
> Not that I know of; it stood out in my mind.
> Are you aware of http://www.hia.com/pcr
> No, but I'll check it out.
> What is "Secureware"? Do you know Christine Athena Kekenes?
> Secureware is a company that produces secure unix systems for use on the
Internet, for example, by Internet banks. It's impossible for some universities
and businesses to get federal approval to do business/get contracts without some
guarantee of data protection, so we provide that protection by modifying the
unix kernel.
I don't know the name you mentioned.
Bill
Date: Thu, 29 Jun 95 13:11:20 EDT
sarfatti@ix.netcom.com (Jack Sarfatti) writes: > Well this is extremely
important if you are not pulling my leg. Please > go over everything again.
Try to draw everything. The details are > important. Send drawings to me at
POB 26548, San Francisco, CA 94126.
> I'll draw and describe what I've seen and mail it to you. I've glanced
through your web pages by now, so I suspect you're open to the possibility that
this isn't a coincidence. I, myself, am still much more skeptical, but I haven't
had vivid dreams like this before, and the fact that your name was included out
of the blue decreases the odds of coincidence.
BTW, your guarded, rational attitude and obvious caution makes me a good bit
more comfortable about passing on this information. If at any point you think
this is just a random coincidence and not a real connection of some kind, please
let me know. I don't want to waste a lot of time with something that's not
useful (it has always been one of my fondest dreams to create "Star Trek"
technology -- for a couple of months, I even felt that God was calling me to do
that, but I decided rather sheepishly later that it was just me wishing,
although I still have that strong desire).
I've printed a portion of the technical material in your webpages to read and
digest much later, after the dreams have stopped (if they do) and I've recorded
them. I don't want to bias my dreams/data with what I read there. I hope you
don't mind, and if you don't think it's a good idea, I won't read it. I won't
share it with anyone else. Thanks for listening and for not rejecting me
out-of-hand.
Bill
From: Bill Wear
Date: Thu, 29 Jun 95 17:08:55 EDT
sarfatti@ix.netcom.com (Jack Sarfatti) writes:
> There is noway this is just a "coincidence". Have you read "Godphone"
> and "Sarfatti's Illuminati" yet? More later.
> Only glanced at them, will read better momentarily. Have mailed some
very crude sketches and text impressions just now. I'm a little skeptical
because some of it involves generating external fields using a waveguide.
There's something called a "gravity suppression potentiometer" that has a "field
arrangement" diagram I drew. My impression of the sketch is that the waveguide
is generating some kind of field at a distance. I didn't think waveguides could
do that (I thought they were supposed to contain the wave), but it's entirely
possible that what I'm seeing is an attempt to correlate English with some other
language -- meaning that the translation fails. It's also possible that I have a
lousy understanding of waveguides.
I'll do some more sketches later -- I seem to get really exhausted by
retracing these vivid images, so I have to take long breaks. This seems really
strange. Can you shed any light?
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