Re: [TSCM-L] {3104} Re: Pearls Before Swine Series - Scope of Work Matrix

From: Eric Schmiedl <eric.s..._at_gmail.com>
Date: Sun, 21 Dec 2008 19:00:27 -0500

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From: "Its from Onion" <areda..._at_msn.com>
To: <TSCM-..._at_googlegroups.com>
References: <7.0.1.0.2.20081219003659.16ae4fe8_at_tscm.com> <494BED6C.3060201_at_gmail.com> <7.0.1.0.2.20081220032454.190bbe10_at_tscm.com> <0812212029590.0_at_somehost.domainz.com> <BLU149-DS15A734AB69DBDDFA53E3E6BCEE0_at_phx.gbl> <494ED89B.6070905_at_gmail.com>
Subject: Re: [TSCM-L] {3108} Re: Pearls Before Swine Series - Scope of Work Matrix
Date: Sun, 21 Dec 2008 20:13:53 -0600
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Well I know that having a 8x10 or 24x36 shot of a room back at the office i=
s a great 'thinking tool.' I can see things on that photo that may not be =
evident at first, second or even 3rd visit.
Also its great reference to document any changes that may have been made bu=
y authorized or 'UN-' authorized persons.

Lets remember, a picture is worth a 1000 words.
Onion

  ----- Original Message -----
  From: Eric Schmiedl<mailto:eric.s..._at_gmail.com>
  To: TSCM-..._at_googlegroups.com<mailto:TSCM-..._at_googlegroups.com>
  Sent: Sunday, December 21, 2008 6:00 PM
  Subject: [TSCM-L] {3108} Re: Pearls Before Swine Series - Scope of Work M=
atrix



  I don't know about Thomas, but I'm honestly curious whether an 8x10
  camera is actually useful for TSCM. My suspicion is that it's not --
  that modern camera technology has eliminated all the advantages that
  8x10 once had, but that James isn't aware since he's a TSCM expert and
  not a photographer -- but I'm certainly open to the idea that an 8x10 is
  the only way to go.

  Best,
  Eric

  Its from Onion wrote:
> Gentlemen,
> Give the boss a break. That’s ONE piece of equipment of MANY ideas h=
e
> gave on his list. I personally open a door and pause before stepping
> out. Old habits die hard and once learned, it gives ya a warm fuzzy.
>
> Granted, many NEW ways of doing things and may be better, may not be. =
A
> video engineer is one of my past lives so I think film is a 4-letter F
> word, but hey; that’s me!!
>
> haha
>
> Merry Christmas all
> Onion
>
>
> ----- Original Message -----
> *From:* Thomas Shaddack <mailto:tsc..._at_shaddack.mauriceward.com<mai=
lto:tsc..._at_shaddack.mauriceward.com>>
> *To:* TSCM-..._at_googlegroups.com<mailto:TSCM-..._at_googlegroups.com> <=
mailto:TSCM-..._at_googlegroups.com<mailto:TSCM-..._at_googlegroups.com>>
> *Sent:* Sunday, December 21, 2008 2:10 PM
> *Subject:* [TSCM-L] {3102} Re: Pearls Before Swine Series - Scope o=
f
> Work Matrix
>
>
>
> A film is high-res but significantly cumbersome and expensive to de=
al
> with.
>
> Did you consider using a modified scanner as a very high resolution
> camera?
>
> Like e.g. here?
> http://www.sentex.net/~mwandel/tech/scanner.html<http://www.sentex.=
net/~mwandel/tech/scanner.html>
>
> The scenes are stationary, so the time it takes to acquire the imag=
e is
> not of a significant concern. Relatively slow operation of a flatbe=
d
> scanner therefore is not an obstacle. The achievable resolution can=
 be
> theoretically very high and, with the right construction of the
> scanning
> mechanics, 360-degree panoramic photographs can be made. See e.g. h=
ere:
> http://home.roadrunner.com/~maccody/robotics/PanoramaScanCam/index.=
html<http://home.roadrunner.com/~maccody/robotics/PanoramaScanCam/index.htm=
l>
>
>
> Another thought to consider is leveraging the near-infrared
> sensitivity of
> the CCD and make four-color infrared-red-green-blue images.
>
> Yet another possibility leads us to the field of hyperspectral imag=
ing;
> use a powerful source of monochrome light as the only source of
> illumination for the scene (alternatively, use a monochromator in
> front of
> the CCD sensor) and make a lot of black-and-white photographs in
> different
> wavelengths, with some suitable stepping (e.g. each 5 nm?) across t=
he
> entire sensitivity range of the sensor. May significantly increase =
the
> tactical capabilities of image analysis, working around the
> limitations of
> conventional red-green-blue imaging.
>
> A variant on this may be using ultraviolet light for scene
> illumination,
> and recording the fluorescence.
>
> This technique may have applications in general forensics, way
> beyond the
> scope of TSCM itself.
>
>
>
>
>
>
> >
> > An 8x10 sheet of film will capture more details than a digital
> > camera, and with the responsiveness of modern film you can set th=
e
> > camera up once, run six different kinds of film into it, and have=
 a
> > range of images with each capturing a little bit different
> spectrum response.
> >
> > You can scan the film at a 1:1 ratio to overlay the other images,=
 or
> > you can just blow up the images to 16x20, or print it as a contac=
t
> > print for archiving and reference on future sweeps.
> >
> > If I can get a camera into the phone room early in the sweep I wi=
ll
> > use the prints as a working document that I can write on as I che=
ck
> > each and every wire or connection that may effect the area I am
> > inspecting. This way I can creating a working document based on t=
he
> > pictures and record my notes and comments in real time right on t=
he
> > paper. Basically the prints get used to create an inspection char=
t
> > that you can use for not just this sweep but also for future swee=
ps.
> >
> > I do the same thing with the insides of the phone instruments to
> > supplement the actual measurements made with other instruments. T=
he
> > tough thing is that most sweeps do not warrant this attention to
> > detail, so a digital camera can be used in these cases when the b=
ig
> > sheets of film would be prohibited.
> >
> > My experience is the older, messier, or more chaotic the wiring
> > blocks are the more you really want to get the large photographs
> > taken and printed.
> >
> > A skilled TSCM person or photographer can bring the camera into t=
he
> > wiring rooms or server rooms concealed inside something along wit=
h
> > some compact strobes mounted right to the lens board. The camera =
can
> > be pre-focused for either 24 or 30 inches, and you just use a rul=
er
> > to ensure the correct distances instead of focusing. You also use=
 a
> > really tight aperture, and a whole lot of flash.
> >
> > -jma
> >
> >
> >
> > At 01:52 PM 12/19/2008, Eric Schmiedl wrote:
> >
> > >James M. Atkinson wrote:
> > >
> > > > This is also on a per person basis for an engineer; half this
> amount
> > > > for a technician, surveyor, or architect; and a quarter this
> amount
> > > > for non-technical (non PI) people (ie: electrician, plumber, =
HVAC,
> > > > trades, scribe, photographer, truck driver, painter, lumpers,
> etc),
> > > > and an eighth this amount for PI or security person (although=
 most
> > > > PIs can qualify as photographers and scribes if they play the=
ir
> > > > skills right, and being able to work a 8*10 camera and darkro=
om is
> > > > more important then a digital camera.
> > >
> > >Speaking as a photographer, what on earth would a TSCM specialis=
t
> need
> > >an 8x10 camera for?
> > >
> > >Even high-end architectural photographers these days generally u=
se
> > >either digtal SLRs (and software perspective correction) or medi=
um
> > >format digital backs attached to miniature view-camera-esque bod=
ies.
> >
> >
> -------------------------------------------------------------------=
---------------------------------
> > World Class, Professional, Ethical, and Competent Bug Sweeps, =
and
> > Wiretap Detection using Sophisticated Laboratory Grade Test Equip=
ment.
> >
> -------------------------------------------------------------------=
---------------------------------
> > James M. Atkinson Phone: (978)
> 546-3803
> > Granite Island Group Fax: (978)
> 546-9467
> > 127 Eastern Avenue #291 Web: http://www.tscm=
.com/<http://www.tscm.com/>
> > Gloucester, MA 01931-8008 E-mail:
> mailto:jm..._at_tscm.com<mailto:jm..._at_tscm.com>
> >
> -------------------------------------------------------------------=
---------------------------------
> > We perform bug sweeps like it's a full contact sport, we take n=
o
> prisoners,
> > and we give no quarter. Our goal is to simply, and completely sto=
p
> the spy.
> >
> -------------------------------------------------------------------=
---------------------------------
> >
> >
> >
> >
> > >
>
>
> >

  

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<DIV>
<DIV>Well I know that having a 8x10 or 24x36 shot of a room back at the off=
ice
is a great 'thinking tool.'&nbsp; I can see things on that photo that may n=
ot be
evident at first, second or even 3rd visit.</DIV>
<DIV>Also its great reference to document any changes that may have been ma=
de
buy authorized or 'UN-' authorized persons.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Lets remember, a picture is worth a 1000 words. </DIV>
<DIV>Onion</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LE=
FT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV style="FONT: 10pt arial"><B>From:</B> <A
  title=mailto:eric.s..._at_gmail.com
  href="mailto:eric.s..._at_gmail.com">Eric Schmiedl</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A
  title=mailto:TSCM-..._at_googlegroups.com
  href="mailto:TSCM-..._at_googlegroups.com">TSCM-..._at_googlegroups.com</A>=
 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, December 21, 2008 6:=
00
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> [TSCM-L] {3108} Re: Pearl=
s
  Before Swine Series - Scope of Work Matrix</DIV>
  <DIV><BR></DIV><BR>I don't know about Thomas, but I'm honestly curious wh=
ether
  an 8x10<BR>camera is actually useful for TSCM. My suspicion is that it's =
not
  --<BR>that modern camera technology has eliminated all the advantages
  that<BR>8x10 once had, but that James isn't aware since he's a TSCM exper=
t
  and<BR>not a photographer -- but I'm certainly open to the idea that an 8=
x10
  is<BR>the only way to go.<BR><BR>Best,<BR>Eric<BR><BR>Its from Onion
  wrote:<BR>&gt; Gentlemen,<BR>&gt; Give the boss a break.&nbsp; That’s O=
NE
  piece of equipment of MANY ideas he<BR>&gt; gave on his list.&nbsp; I
  personally open a door and pause before stepping<BR>&gt; out.&nbsp; Old h=
abits
  die hard and once learned, it gives ya a warm fuzzy.<BR>&gt;&nbsp; <BR>&g=
t;
  Granted, many NEW ways of doing things and may be better, may not be.&nbs=
p;
  A<BR>&gt; video engineer is one of my past lives so I think film is a 4-l=
etter
  F<BR>&gt; word, but hey; that’s me!!<BR>&gt;&nbsp; <BR>&gt; haha<BR>&gt=
;&nbsp;
  <BR>&gt; Merry Christmas all<BR>&gt; Onion<BR>&gt;&nbsp; <BR>&gt;
  <BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; ----- Original Message
  -----<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; *From:* Thomas Shaddack &lt;<A
  title=mailto:tsc..._at_shaddack.mauriceward.com
  href="mailto:tsc..._at_shaddack.mauriceward.com">mailto:tsc..._at_shaddack.ma=
uriceward.com</A>&gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  *To:* <A title=mailto:TSCM-..._at_googlegroups.com
  href="mailto:TSCM-..._at_googlegroups.com">TSCM-..._at_googlegroups.com</A>=
 
  &lt;<A title=mailto:TSCM-..._at_googlegroups.com
  href="mailto:TSCM-..._at_googlegroups.com">mailto:TSCM-..._at_googlegroups.co=
m</A>&gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  *Sent:* Sunday, December 21, 2008 2:10 PM<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;=
 
  *Subject:* [TSCM-L] {3102} Re: Pearls Before Swine Series - Scope
  of<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; Work Matrix<BR>&gt; <BR>&gt; <BR>&gt;=
 
  <BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; A film is high-res but significantly
  cumbersome and expensive to deal<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; with.<BR=
>&gt;
  <BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; Did you consider using a modified scanne=
r as
  a very high resolution<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; camera?<BR>&gt;
  <BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; Like e.g.
  here?<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; <A
  title=http://www.sentex.net/~mwandel/tech/scanner.html
  href="http://www.sentex.net/~mwandel/tech/scanner.html">http://www.sent=
ex.net/~mwandel/tech/scanner.html</A><BR>&gt;
  <BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; The scenes are stationary, so the time i=
t
  takes to acquire the image is<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; not of a
  significant concern. Relatively slow operation of a
  flatbed<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; scanner therefore is not an obsta=
cle.
  The achievable resolution can be<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; theoreti=
cally
  very high and, with the right construction of
  the<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; scanning<BR>&gt;&nbsp;&nbsp;&nbsp;&nb=
sp;
  mechanics, 360-degree panoramic photographs can be made. See e.g.
  here:<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; <A
  title=http://home.roadrunner.com/~maccody/robotics/PanoramaScanCam/inde=
x.html
  href="http://home.roadrunner.com/~maccody/robotics/PanoramaScanCam/inde=
x.html">http://home.roadrunner.com/~maccody/robotics/PanoramaScanCam/index.=
html</A><BR>&gt;
  <BR>&gt; <BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; Another thought to consider is=
 
  leveraging the near-infrared<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; sensitivity=
 
  of<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; the CCD and make four-color
  infrared-red-green-blue images.<BR>&gt; <BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; =
Yet
  another possibility leads us to the field of hyperspectral
  imaging;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; use a powerful source of monochr=
ome
  light as the only source of<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; illumination =
for
  the scene (alternatively, use a monochromator
  in<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; front of<BR>&gt;&nbsp;&nbsp;&nbsp;&nbs=
p;
  the CCD sensor) and make a lot of black-and-white photographs
  in<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; different<BR>&gt;&nbsp;&nbsp;&nbsp;&nb=
sp;
  wavelengths, with some suitable stepping (e.g. each 5 nm?) across
  the<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; entire sensitivity range of the senso=
r.
  May significantly increase the<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; tactical=
 
  capabilities of image analysis, working around
  the<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; limitations
  of<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; conventional red-green-blue
  imaging.<BR>&gt; <BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; A variant on this may b=
e
  using ultraviolet light for scene<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  illumination,<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; and recording the
  fluorescence.<BR>&gt; <BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; This technique may=
 have
  applications in general forensics, way<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; be=
yond
  the<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; scope of TSCM itself.<BR>&gt; <BR>&gt=
;
  <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; An 8x10 sheet of film will capt=
ure
  more details than a digital<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; camera, =
and
  with the responsiveness of modern film you can set
  the<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; camera up once, run six differen=
t
  kinds of film into it, and have a<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; ra=
nge
  of images with each capturing a little bit
  different<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; spectrum
  response.<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&=
nbsp;
  &gt; You can scan the film at a 1:1 ratio to overlay the other images,
  or<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; you can just blow up the images t=
o
  16x20, or print it as a contact<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; prin=
t for
  archiving and reference on future sweeps.<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;=
 
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; If I can get a camera into the =
phone
  room early in the sweep I will<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; use t=
he
  prints as a working document that I can write on as I
  check<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; each and every wire or connect=
ion
  that may effect the area I am<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; inspec=
ting.
  This way I can creating a working document based on
  the<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; pictures and record my notes and=
 
  comments in real time right on the<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; p=
aper.
  Basically the prints get used to create an inspection
  chart<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; that you can use for not just =
this
  sweep but also for future sweeps.<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; I do the same thing with the in=
sides
  of the phone instruments to<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; suppleme=
nt
  the actual measurements made with other instruments.
  The<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; tough thing is that most sweeps =
do
  not warrant this attention to<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; detail=
, so
  a digital camera can be used in these cases when the
  big<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; sheets of film would be
  prohibited.<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; My experience is the older, mes=
sier,
  or more chaotic the wiring<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; blocks ar=
e the
  more you really want to get the large
  photographs<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; taken and
  printed.<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&n=
bsp;
  &gt; A skilled TSCM person or photographer can bring the camera into
  the<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; wiring rooms or server rooms
  concealed inside something along with<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt=
;
  some compact strobes mounted right to the lens board. The camera
  can<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; be pre-focused for either 24 or =
30
  inches, and you just use a ruler<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; to=
 
  ensure the correct distances instead of focusing. You also use
  a<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; really tight aperture, and a whole=
 lot
  of flash.<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&=
nbsp;
  &gt; -jma<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&=
nbsp;
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;=
 &gt;
  At 01:52 PM 12/19/2008, Eric Schmiedl wrote:<BR>&gt;&nbsp;&nbsp;&nbsp;&nb=
sp;
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; &gt;James M. Atkinson
  wrote:<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; &gt; &gt; This is also on a per=
 
  person basis for an engineer; half this<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;=
 
  amount<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; &gt; &gt; for a technician,=
 
  surveyor, or architect; and a quarter this<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp=
;
  amount<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; &gt; &gt; for non-technical (=
non
  PI) people (ie: electrician, plumber, HVAC,<BR>&gt;&nbsp;&nbsp;&nbsp;&nbs=
p;
  &gt; &gt; &gt; trades, scribe, photographer, truck driver, painter,
  lumpers,<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; etc),<BR>&gt;&nbsp;&nbsp;&nbsp;&=
nbsp;
  &gt; &gt; &gt; and an eighth this amount for PI or security person (altho=
ugh
  most<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; &gt; &gt; PIs can qualify as
  photographers and scribes if they play their<BR>&gt;&nbsp;&nbsp;&nbsp;&nb=
sp;
  &gt; &gt; &gt; skills right, and being able to work a 8*10 camera and dar=
kroom
  is<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; &gt; &gt; more important then a=
 
  digital camera.<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; &gt;Speaking as a photographer,=
 what
  on earth would a TSCM specialist<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  need<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; &gt;an 8x10 camera
  for?<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&=
nbsp;
  &gt; &gt;Even high-end architectural photographers these days generally=
 
  use<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; &gt;either digtal SLRs (and soft=
ware
  perspective correction) or medium<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;
  &gt;format digital backs attached to miniature view-camera-esque
  bodies.<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nb=
sp;
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  -------------------------------------------------------------------------=
---------------------------<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  &gt;&nbsp;&nbsp;&nbsp; World Class, Professional, Ethical, and Competent =
Bug
  Sweeps, and<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt; Wiretap Detection using=
 
  Sophisticated Laboratory Grade Test Equipment.<BR>&gt;&nbsp;&nbsp;&nbsp;&=
nbsp;
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  -------------------------------------------------------------------------=
---------------------------<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  &gt;&nbsp;&nbsp; James M.
  Atkinson&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
  Phone:&nbsp; (978)<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  546-3803<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;&nbsp;&nbsp; Granite Island=
 
  Group&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;
  Fax:&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (978)<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;=
 
  546-9467<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;&nbsp;&nbsp; 127 Eastern Ave=
nue
  #291&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;
  Web:&nbsp;&nbsp;&nbsp; <A title=http://www.tscm.com/
  href="http://www.tscm.com/">http://www.tscm.com/</A><BR>&gt;&nbsp;&nbsp=
;&nbsp;&nbsp;
  &gt;&nbsp;&nbsp; Gloucester, MA
  01931-8008&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;
  E-mail: <BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; <A title=mailto:jm..._at_tscm.com=
 
  href="mailto:jm..._at_tscm.com">mailto:jm..._at_tscm.com</A><BR>&gt;&nbsp;&nb=
sp;&nbsp;&nbsp;
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  -------------------------------------------------------------------------=
---------------------------<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  &gt;&nbsp;&nbsp; We perform bug sweeps like it's a full contact sport, we=
 take
  no<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; prisoners,<BR>&gt;&nbsp;&nbsp;&nbsp;&n=
bsp;
  &gt; and we give no quarter. Our goal is to simply, and completely
  stop<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; the spy.<BR>&gt;&nbsp;&nbsp;&nbsp;&n=
bsp;
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  -------------------------------------------------------------------------=
---------------------------<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;=
 
  &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;=
 &gt;
  &gt;<BR>&gt; <BR>&gt; <BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp; &gt;
  <BR><BR>
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Received on Sat Mar 02 2024 - 00:57:22 CST

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